Contents. Background Shoot from the Hip became the singer's least commercially successful album release in the United Kingdom, where it reached number-nineteen on the album chart, producing two singles, ' and ', which reached number-seven and number-nine in the UK charts, respectively.
The release of a third single, either 'Love It Is Love' or 'Party In My Head', ('Love It Is Love' being the favoured track), was briefly discussed as a possibility by Sophie herself on her official message board shortly after the release of 'I Won't Change You'. Internationally, the album was released in the autumn of 2003, but little interest was generated outside the United Kingdom, where it was certified for shipments over the 100,000 copies although the album did get to #35 on the Swiss charts. Apart from ', Ellis-Bextor's solo material had not been released in North America until June 2007, when Shoot from the Hip was added to the US. The songs 'I Won't Dance With You' and 'The Walls Keep Saying Your Name' feature Ellis-Bextor's ex-boyfriend and ex-manager, Andy Boyd, although his name does not appear in the album credits. Alternate editions The international editions of the album don't include 'Making Music', 'I Won't Dance With You' and the hidden track 'Physical', a cover of 's 1981 number one single.
Sophie has commented on this matter, saying to her fans 'I hate the fact that the UK version has more tracks. I am contractually obliged to remove tracks for outside the UK. It is absurd to create an album then take away part of it. It's something to do with royalties. I didn't know they'd removed the hidden track too though, cheeky morons.
I am really sorry you are the ones who suffer.' Critical reception Professional ratings Source Rating Track listing.
00:03:45. Gregg Alexander, Composer, Author, Co-Producer - DAVE WAY, Mixer - Paul Brown, Additional Vocals - Ferg Peterkin, Asst. Recording Engineer - Phil Tyreman, Assistant Mixer - Rick Simpson, Recording Engineer - Matt Rowe, Composer, Author, Co-Producer, Programmer - Sophie Ellis-Bextor, Composer, Author, Vocals, MainArtist - Winston Rollins, Trombone - Paul Gendler, Guitar - Warner Chappell Music, MusicPublisher - Universal Music Publishing Ltd., MusicPublisher - Rondor Music (London) Ltd., MusicPublisher - Enrico Tomasso, Trumpet Copyright: ℗ 2003 Polydor Ltd. (UK). 2 I Won't Change You.
00:03:39. Gregg Alexander, Composer, Author, Producer - Brio Talliaferro, Keyboards - Jeremy Wheatley, Producer, Mixer, Drums - Guy Pratt, Bass Guitar - Ali Staton, Recording Engineer - Matt Rowe, Composer, Author, Producer, Keyboards - Drew Griffiths, Asst. Recording Engineer - Sophie Ellis-Bextor, Composer, Author, Vocals, MainArtist - Damian le Gassick, Producer - Warner Chappell Music, MusicPublisher - Universal Music Publishing Ltd., MusicPublisher - Rondor Music (London) Ltd., MusicPublisher - Brio, Programmer - Giulio Pierucci, Piano Copyright: ℗ 2003 Polydor Ltd.
(UK). 3 Nowhere Without You. 00:03:19. Rik Simpson, Keyboards - Ali Staton, Mixer, Recording Engineer - Chris Tombling, Strings - Luis Jardim, Percussion - Lewis Taylor, Guitar - DAMIAN LEGASSICK, Strings - Audrey Riley, Strings - Drew Griffiths, Asst. Recording Engineer - Sophie Ellis-Bextor, Composer, Author, Vocals, MainArtist - Paul Stewart, Drums - Damian le Gassick, Producer, Keyboards - Ross Newell, Guitar - Rondor Music (London) Ltd., MusicPublisher Copyright: ℗ 2003 Polydor Ltd. (UK). 5 Party In My Head.
00:03:34. Gregg Alexander, Composer, Author - John Smith, Recording Engineer - Dan Gautreau, Asst. Recording Engineer - Steve Sidelnyk, Drums - Brad Spence, Asst. Recording Engineer - Dan Vickers, Programmer - Ali Staton, Mixer - Matt Rowe, Composer, Author - James Eller, Bass Guitar - Sophie Ellis-Bextor, Composer, Author, Vocals, MainArtist - Monte Pittman, Guitar - Damian le Gassick, Producer, Keyboards - Warner Chappell Music, MusicPublisher - Universal Music Publishing Ltd., MusicPublisher - Rondor Music (London) Ltd., MusicPublisher Copyright: ℗ 2003 Polydor Ltd. (UK). 6 Love It Is Love. 00:03:26.
John Smith, Recording Engineer - Alex James, Composer, Author, Bass Guitar - Dan Gautreau, Asst. Recording Engineer - Steve Sidelnyk, Drums & Percussion - Copyright Control, MusicPublisher - Brad Spence, Asst. Recording Engineer - Dan Vickers, Programmer - Ali Staton, Mixer, Recording Engineer - Rick Simpson, Composer, Author - Lewis Taylor, Guitar - Matt Rowe, Composer, Author - Drew Griffiths, Asst. Recording Engineer - Sophie Ellis-Bextor, Composer, Author, Vocals, MainArtist - Monte Pittman, Guitar - Damian le Gassick, Producer, Keyboards - Emi Music Publishing Ltd., MusicPublisher - Universal Music Publishing Ltd., MusicPublisher - Rondor Music (London) Ltd., MusicPublisher Copyright: ℗ 2003 Polydor Ltd. (UK). 7 You Get Yours. 00:03:32.
Sophie Ellis Bextor Blog
Bernard Butler, Composer, Author, Guitar, Keyboards, Strings Contractor - Andy Maclure, Drums - Brad Spence, Asst. Recording Engineer - Ali Staton, Mixer, Recording Engineer - Chris Tombling, Strings - Audrey Riley, Strings - James Eller, Bass Guitar - Drew Griffiths, Asst. Recording Engineer - Sophie Ellis-Bextor, Composer, Author, Vocals, MainArtist - Pablo Cook, Percussion - Damian le Gassick, Producer, Keyboards, Strings, Audio Concept - Rondor Music (London) Ltd., MusicPublisher - Universal Music Publishing (UK) Ltd., MusicPublisher - Carl Membrino, Keyboards Copyright: ℗ 2003 Polydor Ltd.
(UK). 10 Hello Hello. Sophie Ellis-Bextor's second album lacks anything nearly as distinctive as her early singles 'Murder on the Dancefloor' and 'Groovejet (If This Ain't Love),' but it's still a solid, perfectly respectable collection of contemporary dance-pop. Of course, 'respectable' doesn't necessarily count for much in pop terms, although Ellis-Bextor has mastered a knack for exuding sophistication without being off-putting and stuffy - she's so posh (viz. Her unmistakable accent) that the slickness of the production complements her personality rather than diluting it.
Still, the songs have to be there, and the songs on Shoot from the Hip rarely rise above the merely pleasant, the best bets there being the smooth disco single 'Mixed-Up World' and the chipper 'I Won't Change You,' whose groove is reminiscent of Kylie Minogue's far-superior 'Love at First Sight.' Production-wise, there's enough variety to keep the album from sagging, particularly as things turn slightly darker and moodier towards the latter half with the spiky 'You Get Yours' and the odd, haunted 'The Walls Keep Saying Your Name.' The understated ballad 'I Am Not Good at Not Getting What I Want,' co-written with Bernard Butler, rounds things out nicely.
Some editions included a cover of Olivia Newton-John's 'Let's Get Physical' as a hidden bonus track. K. Ross Hoffman.
's second album lacks anything nearly as distinctive as her early singles 'Murder on the Dancefloor' and 'Groovejet (If This Ain't Love),' but it's still a solid, perfectly respectable collection of contemporary dance-pop. Of course, 'respectable' doesn't necessarily count for much in pop terms, although has mastered a knack for exuding sophistication without being off-putting and stuffy - she's so posh (viz. Her unmistakable accent) that the slickness of the production complements her personality rather than diluting it. Still, the songs have to be there, and the songs on rarely rise above the merely pleasant, the best bets there being the smooth disco single 'Mixed-Up World' and the chipper 'I Won't Change You,' whose groove is reminiscent of 's far-superior 'Love at First Sight.' Production-wise, there's enough variety to keep the album from sagging, particularly as things turn slightly darker and moodier towards the latter half with the spiky 'You Get Yours' and the odd, haunted 'The Walls Keep Saying Your Name.'
The understated ballad 'I Am Not Good at Not Getting What I Want,' co-written with, rounds things out nicely. Some editions included a cover of 's 'Let's Get Physical' as a hidden bonus track.
Contents. Background The album was released in Europe in October 2003, but little interest was generated outside the United Kingdom, where the album peaked at number 19 on the, with the exception of Switzerland, where it peaked at number 35 on the Swiss Albums Chart. The album was regarded as the singer's least commercially successful album until the release of her fourth studio album, which only reached number 33. The album only produced two singles—' and '—which reached number 7 and number 9 on the respectively. Apart from ', none of Ellis-Bextor's solo material was released in the US until June 2007, when Shoot from the Hip was added to the American.
The songs 'I Won't Dance with You' and 'The Walls Keep Saying Your Name' feature backing vocals from Ellis-Bextor's ex-boyfriend and ex-manager, Andy Boyd, although his name does not appear anywhere in the album credits. Similarly to 'Sparkle' and 'Final Move' missing from the worldwide version of Read My Lips, the international edition of Shoot from the Hip does not include the opening track 'Making Music', 'I Won't Dance with You' nor the hidden track following the end of 'Hello, Hello', a cover of 's '. The international edition also changes all text on the cover, disc and in the booklet to the shade of instead of the white used on the UK release.
In 2014, Ellis-Bextor reflected on the album to magazine, saying 'The second album still had the same feel as the first, but it was maybe a little bit darker. During that record I was going through a bit of a break-up so there are a few break-up songs on there.
I wasn't feeling quite as funny and breezy as I was on the first album, but I got it back on album three.' Critical reception Writing for, Sarah McDonnell highlighted the input from, feeling that different co-writers make the album 'patchy in places' and as a result, Ellis-Bextor's songs 'sometimes sound a little self-conscious and clunky, almost a little too earnestly conveying her message'. Nevertheless, McDonnell also stated 'whatever you might think of Sophie Ellis-Bextor, you can't fault her determination' and felt that the album is a 'good effort and displays an ambition – and potential – to produce consistent, high quality, intelligent pop music'. Ross Hoffman of said that while the album 'lacks anything nearly as distinctive as her early singles,. it's still a solid, perfectly respectable collection of contemporary dance-pop', pointing to 'the smooth disco single 'Mixed-Up World' and the chipper 'I Won't Change You', the latter of which he compared to '. Best long range wifi router.
Hoffman further judged 'there's enough variety to keep the album from sagging, particularly as things turn slightly darker and moodier towards the latter half with the spiky 'You Get Yours' and the odd, haunted 'The Walls Keep Saying Your Name'.' However, he felt differently about Butler's contribution, pointing out 'the understated ballad 'I Am Not Good at Not Getting What I Want'.
rounds things out nicely.' While McDonnell compared lead single 'Mixed Up World' to material by the, Lucy Davies of felt that track is similar to 'the best 80s creations'.
Although singling out the final two tracks (positively comparing the strings in 'Hello, Hello' to and questioning why 'Physical' is a hidden track when it 'encapsulates Sophie; knowingly dead-pan with a little wink tipped at the listener'), Davies used a line from opening song 'Making Music' to say the album is largely 'making music by numbers'—calling the two songs Boyd contributes vocals on ' and the rhyming on 'Party in My Head' 'cringe worthy'. Davies commented that despite the songs on Shoot from the Hip featuring 'chewing gum melodies', 'Sophie needs to think long and hard about where she's going next.' Held a similar opinion, summarising that even though Shoot from the Hip is a 'perfectly efficient pop album', 'it still leaves you wondering what Ellis-Bextor could achieve if she really tried.' Track listing No. Title Writer(s) Producer(s) Length 1. 'Making Music' (UK-exclusive track). ^ Hoffman, K.
Retrieved 29 January 2014. ^ Lynch, Andrew (8 November 2003). Retrieved 29 January 2014.
McGee, Linda. Archived from on 29 October 2008. Retrieved 15 January 2010.
Rigby, Sam. Archived from on 18 January 2014. Retrieved 18 January 2014. ^ McDonnell, Sarah. Retrieved 29 January 2014. ^ Davies, Lucy.
Retrieved 29 January 2014. Retrieved 21 December 2013. 2 July 2007 at the. 27 September 2007 at the. Retrieved 21 December 2013.
Richard Jones
Retrieved 21 December 2013. Official Charts Company.
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